Habib Farajabadi uses all sorts of tools to compose his acrylics; things such as nails, wood stock, forks and hair brush, without ever dispensing the regular paint brush. Now and then, these marks suggest something like hieroglyphic signs, ancient calligraphies, letters of a non-existing alphabet. Farajabadi works on both sides of the canvas, even if much of the surface is left raw and visible. Where there is a conscious choice of using color, he’s not economical: the artist often prefers bright, strident tones. His acrylic brushstrokes remind, in their texture and ludic colors, childish chalk; either that or the canvas is taken by a dark atmosphere. The color black is always present; sometimes as dominating hue, others supporting a colorful composition—something even more present in the rawness of his drawings.
Also a sculptor, Farajabadi works mainly with wood and plywood, on which additional elements are incorporated, creating sometimes a contrast between the colorful bodies of his pieces and its menacing heads. Habib Farajabadi was born in 1982 in Iran and he lives and works in Tehran.