For his exhibition at GNYP in Antwerp, Wang continues mainly in the yellow colour scheme, as he evokes a sense of home, both as a physical and mental place.
There are also several, stripped- down references to artists from the Low Countries, amongst others Melchior d’Hondecoeter’s Dead Rooster (17th century) and Pieter Breugel the Elder’s The Fall of the Rebel Angels (1562) -
That change of perspective, the upside-down rendering, is also echoed in Clouds fell on Scorched Field, an impressive painting Wang specially made for the architecture of the gallery.
