Current Exhibition
GNYP GALLERY ANTWERP
Harrison Pearce
Graceful Degradation
13 July 2024 – 24 August 2024
13 July 2024 – 24 August 2024
Group show “United in art“ shows Brian Harte, Laurent Proux, Aistė Stancikaitė, Umut Yasat and more in celebration of Poland’s 20 year membership in the European Union.
The aim of this exhibition is to look at art as a powerful tool to promote values that unite people across borders, cultures and traditions. Each work presented here is an expression not only of the talent and vision of the artists, but also of their commitment to building a world based on common values, principles and ideals. The exhibition is not only a tribute to artistic creativity, but also to the common ideals that underlie the European Union: human dignity, freedom, democracy, equality, the rule of law, human rights, solidarity and respect for diversity.
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Umut Yasat in group show “Re.Use“ at Kunstmuseum Heidenheim
Every year, the art museum presents an exhibition on various sculptural materials in the venerable Hellenstein Castle during the summer months. In 2024, the focus is on different combinations of materials. What happens when artists take existing, already used, sometimes worthless (everyday) objects and give them a new life? The results are colorful, surprising, moving, but above all one thing: sustainable.
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Aïcha Khorchid in group exhibition at Albertina Modern, Vienna
The exhibition "The Beauty of Diversity" presents the rich depth and breadth of the ALBERTINA Museum’s contemporary collections while demonstrating the essential turn toward women and LGBTQIA+ artists, people of color, aboriginal artistic stances, and autodidacts, all of whose works stand out before the contrasting foil of the Old Masters.
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Gefördert von der Beauftragten
der Bundesregierung für Kultur und
Medien
NEW ARRIVAL
Fangor After Guggenheim
Published in collaboration with the Fangor Foundation, this second catalogue on Wojciech Fangor’s work is dedicated to the artist’s career after his solo exhibition at New York’s Guggenheim Museum. Reconsidered, this was not only a significant moment of his career, but also as a milestone that indicates a change of direction in his subsequent artistic practice. Fangor After Guggenheim contains essays by the art critics Dominic Eichler, Pamela Hansford, and Darla Migan, each focussing on a series or an element of Fangor’s artistic interest.
