Current Exhibition · BERLIN
02 May 2025 – 21 June 2025
Aïcha Khorchid
Les choses de la vie (the things of life)
Upcoming Exhibition · BERLIN
27 June 2025 – 02 August 2025
Ewa Czwartos and Karolina Żądło
We Have No Troubles Here
Group exhibition "Out of focus, another vision of art from 1945 to the present day" at Musée de l'Orangerie in Paris shows Wojciech Fangor
The exhibition deliberately makes blurriness a key that opens another interpretation of a whole area of modern and contemporary visual creation. Initially defined as “loss of distinctness”, blurriness has shown itself to be the favourite means of expression in a world where instability reigns and visibility is clouded. It was on the ruins left by the Second Word War that this out-of-focus aesthetic took root and began to deploy its inevitably political dimension.
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Wojciech Fangor in group exhibition 'Spheres' at Zbiorownia Sztuki Gdansk
The exhibition presents works, revealing Fangor’s interest in astronomy, including the series titled “Hevelius”, created by the artist in 2014. The paintings in this series were created on reproductions of constellation engravings by Johannes Hevelius, taken from the “Atlas of Celestial Bodies.” The exhibition at Zbiorownia Sztuki Gdansk is on view until June 1, 2025.
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Group exhibition "New New Babylon" at Kunstmuseum Den Haag (NL) shows Harrison Pearce
Imagining the future means looking beyond the horizon. Where are we now and where do we want to be? With New New Babylon, the Kunstmuseum Den Haag creates room for new perspectives. Are grandiose visions still relevant today? From a place of solidarity and care, makers envision the future in a different light.
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NEW ARRIVAL
Wojciech Fangor, Nudes
GNYP Gallery is proud to present the catalogue “Nudes” of the Polish artist Wojciech Fangor (1922 – 2015). The catalogue showcases a selection of rarely seen paintings and drawings that explore the naked human form with all its variety and cultural resonances. Included are works dating from Fangor’s artistic beginnings in the turbulent and difficult late 1940s, right up until the visually effervescent and experimental large-scale partially painted collages he produced in the 21st century. It simultaneously takes a very intimate look at the artist and illustrates the art-historical influences on his work.
This book was published in cooperation with The Fangor Foundation and contains an essay by the Berlin-based art writer Dominic Eichler.
