Upcoming Exhibition I GNYP BERLIN
02 May 2025 – 21 June 2025
Aïcha Khorchid
Les choses de la vie (the things of life)
Upcoming Exhibition I GNYP ANTWERP
17 May 2025 – 12 July 2025
Iva Lulashi
Cold in My Mouth
Upcoming Exhibition I GNYP ANTWERP
17 May 2025 – 12 July 2025
Umut Yasat
from mine to us to yours to mine
Current Exhibition
GNYP GALLERY ANTWERP
Patrick Goddard
Hot Cadavers
21 March 2025 – 03 May 2025
21 March 2025 – 03 May 2025
Wojciech Fangor in group exhibition 'Spheres' at Zbiorownia Sztuki Gdansk
The exhibition presents works, revealing Fangor’s interest in astronomy, including the series titled “Hevelius”, created by the artist in 2014. The paintings in this series were created on reproductions of constellation engravings by Johannes Hevelius, taken from the “Atlas of Celestial Bodies.” The exhibition at Zbiorownia Sztuki Gdansk is on view until June 1, 2025.
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Group show "New New Babylon" at Kunstmuseum Den Haag (NL) shows Harrison Pearce
Imagining the future means looking beyond the horizon. Where are we now and where do we want to be? With New New Babylon, the Kunstmuseum Den Haag creates room for new perspectives. Are grandiose visions still relevant today? From a place of solidarity and care, makers envision the future in a different light.
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Wojciech Fangor at Museum Barberini, Potsdam
Four works of Fangor’s groundbreaking spacial abstractions are on view in „Kandinsky’s Universe: Geometric Abstraction in the 20th Century“ until May 18, 2025. The exhibition traces the diverse environments in which geometric abstraction developed over six decades and throughout Europe and the USA.
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Gefördert von der Beauftragten
der Bundesregierung für Kultur und
Medien
NEW ARRIVAL
Wojciech Fangor, Nudes
GNYP Gallery is proud to present the catalogue “Nudes” of the Polish artist Wojciech Fangor (1922 – 2015). The catalogue showcases a selection of rarely seen paintings and drawings that explore the naked human form with all its variety and cultural resonances. Included are works dating from Fangor’s artistic beginnings in the turbulent and difficult late 1940s, right up until the visually effervescent and experimental large-scale partially painted collages he produced in the 21st century. It simultaneously takes a very intimate look at the artist and illustrates the art-historical influences on his work.
This book was published in cooperation with The Fangor Foundation and contains an essay by the Berlin-based art writer Dominic Eichler.
